
Lest we forget.

Lest we forget.
Memories of Vigils
Listening to Rachmaninov’s Vespers at Christmas
brought you back into my thoughts from those days
when you were fifteen and expecting your first child.
And you were too frightened to fall asleep
so I sat with you and whiled away the night hours,
playing cards and telling you those old stories.
Night after night from December through to March
of what it was like to grow up in the village as a child
and as we talked the boys would slide into your room
Instead of prowling the streets and alleys like wolves
blowing their heads off with petrol, gas and glue,
and they listened too and laughed as I told you
Of places I’d been to and those Manhattans night views,
of exploring the walkways and hidden stairs and floors
of Grand Central Station New York in the early hours explorations
Of that quiet time before dawn when the night crew
sat around yawning or folded asleep at their desks.
The crazy stories of the village and old Digger Young
And his fight to get away from the awakening dead.
And the boys soon fell asleep on the floor but you
sat up wanting more of those childhood stories .
More of the kind that made you laugh you said.
And you told me your stories too, of North Wales
and the homes and what you had been through.
And you cried now and then. And asked do you
believe me? Do you believe what I’ve said they did?
And I told you I did. I believed you. You cried again.
And then you said quietly I think I can sleep now.
And then one night you looked at me and said
I must be bad for those men to treat me like that
In the way that they did. And you asked me
Do you think I’m bad? I mean really bad?
Is there a sign on my head that says about me
Anyone can do whatever they want with me.
I told you that there are bad men and yes
they do bad things and they did that to you.
But what they did didn’t make you bad at all.
It says more about them than it says about you.
And then you told your story over and over again
To the social workers, their managers and the police.
And they decided you and the rest were just lying
And through the nights that followed I listened
To your anger and the pain of feeling betrayed again
and again and again and again and again and again.
Years later you wrote a letter saying you remembered.
Succumbing to the succour that poetry allows
rain falls and pain empties ….
eddying always as it flows.
An SOS from the frontier.
This is a message from the borderlands
an endless void a windswept land
it is a desert stripped bare of features.
So I whisper the message – If you could have heard
all that I’ve heard. If you could see all that I’ve seen
if you could have been there, far out there and if you
could have listened to peoples words, listened to those
broken hurting people and that place out there, in here,
in me, in you. The dark frontier, that secret place you know
I know, we know, we all know, but deny its existence.
But for me there is no choice. I cannot deny its imprint
on my mind, my memory is not blind, deaf or unfeeling.
But I wish sometimes that it might be so. Now what do I do
with these memories, the words I do not wish to store,
and hold like some mad treasure trove, archive of horrors
of mankind, of humankind the stories told and told again,
The faces change but the pain and fear, the words remain.
It’s unending, it’s our narrative as long as we survive
this story will evolve and grow for we are humans.
I worked amongst the desolation, fragments,
survivors, of lives that might have flowered.
And that endless unknowing of what might have been
of who would I have been if that had not been done
to me, to who I was, a child, and unsuspecting.
Imagine the innocence and the quiet trust.
And all that time of working to heal – denial.
A total blindness to the reality of the harm
being done to children everywhere you look.
It’s a reality, take a bus or a train, sit in a café
you will be close to someone who has survived.
And then the guaranteed denial that fact is fact
In the face of all that. And then that sound
of wheels within wheels grinding, the noise
of conversations and the deals in closed rooms
to keep silence, to protect the perpetrators
and prevent the door room from being opened
and the truth from being known and shared.
Forty years of denial, obstruction and frustration.
Our lives are brief, a mere fluttering in time.
So open the door wide and let the light in!
From Rob Cullen’s collection “Uncertain Times” published September 2016 Octavo Press.

Thundering and lightning crackled without warning in clear blue skies
the silenced old gods and wise men left only indentations, remembrances
Of psalms and words in the places they’d once stood in so many guises.
In the tall aspen trees above the school yard Jackdaws turned into blackness
©RobCullen2017
https://www.youtube.com/watch?v=ZTvhR0lEtZM&list=RDZTvhR0lEtZM&t=16
Love song to Sarajevo.
A love song should be sung with joy not shame
Yes a love song should be sung with joy
But it is with shame that I write
A love song to Sarajevo.
I hear of the deaths and the blood spilled
And the killing goes on and on and on
And it is with shame that I write
A love song to Garasda.
I heard a Muslim child cry
Rescued but leaving her mother behind
And it is with shame that I write
A love song to Mostar.
I heard from the quietness of our radio
A man cry for his Serb sister, lost and unheard
And it is with shame that I write
A love song to Belgrade.
A Serb speaks of his anger that the world
Has simply turned away and no longer listens
And it is with shame that I write
A love song to Tuzla.
A doctor speaks of the death of the wounded
A hospital bombed and riddled by sniper fire
And it is with shame that I write
A love song to the people.
Love songs should be sung with joy
But my heart is filled with pain.
Reading once again through my copy of A season in hell and The Drunken Boat first published New Directions 1961.
“In his delirium Rimbaud thought always of Harar. Before he died on November 10, 1891 , he asked that a legacy of three thousand francs be sent his servant Djami in Harar.”
I bought Ethiopian coffee today, tasted and that aftertaste that could only be Ethiopia and remembered again Arthur. There is much that I have forotten.
“Only a blue radiance
on a pane of glass
a cast pattern
none more beautiful
could be dreamt.”
No I am not afraid
Bloodaxe 1985
Sad to hear of Tom Paley’s passing 30th September 2017.
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