CERNUNNOS AND THE RAM-HEADED SERPENT

Mac Congail's avatarBalkan Celts

Ram intor

In contrast to other creatures, depictions of the ram in Celtic art are comparatively rare. For example, on fibulae with zoomorphic decoration less than 2% feature the ram, and in the vast majority of cases where the animal is represented it is most often the head alone, naturalistic or schematically, which is portrayed (see: Cluytens M. (2009) Réflexions sur la symbolique du bélier chez les Celtes protohistoriques à travers les représentations figurées, Lunula. Archaeologia protohistorica 17, 201-206).

Fibule ajourée en bronze et corail découverte dans la sépulture d'une princesse gauloise à Orainville (Aisne), datée des années 300-275 DOUBLE V.

Fibula from the burial of a Celtic woman at Orainville (Aisne), France (bronze/coral) decorated with ram head motif (300-275 BC)

Pernik Ram

Zoomorphic/ram head attachment from a Celtic (Scordisci) firepot from Boznik (Pernik region), Bulgaria (late 2nd / early 1st century BC)

https://www.academia.edu/5046182/Zoomorphic_Cult_Firepots

Danubian kantharos with ram heads from Csobaj, Kom. Borsod-Abaúj-Zemplén - grave of a woman discovered at Csobaj

Danubian kantharos with ram head handles from the burial of a Celtic woman at Csobaj, (Kom. Borsod-Abaúj-Zemplén), Hungary

(3rd c. BC)

https://balkancelts.wordpress.com/2013/07/01/the-archaeology-of-heads/

The head of the…

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“Uncertain Times” Book launch

 

My first collection of poetry “Uncertain Times”. A book launch at Octavo in West Bute Street, Cardiff on Friday 23rd September 2016 at 7pm. Mike Jenkins Red Poets, Suzanne Ioppa poet and Rhys Milsom poet will also be reading. Cara Cullen and Fiona Cullen will be singing and playing. Come along and enjoy! There’ll be an Open Mic.

Crooked bird

Crooked bird

 

The word used was scoliosis

A curvature of the spine

That led to three days a week in the clinic

The straight backed women wore

Starched white coats and eyes of coldness

Eyes that are blank cold

Give out that signal

Eyes that told us be careful

We walked into bare white walled rooms

Yellow pine floors narrow high windows

Our mothers sat unknowing outside

The room swam with the sickening smell

Of pine maybe carbolic disinfectant

 

One wall was lined with wooden bars

Yellow pine bars from the floor to the ceiling

We were told

Take off your clothes

Except for underwear

 

So we sat silently on the benches

A line of crooked birds

 

We were told to climb the bars

Take our feet off the bars

And hang by our hands

And stare at the opposite wall.

It was a place to straighten out

The crookedness of our crooked backs

 

We were small thin young children

We did what we were told

We shared this endurance silently

We shared our bravery in silence too

Our courage with stubbornness

 

So we hung from the bars to straighten

Our crooked backs  like birds on a wire

Hanging out stretched

Our arms aching

 

When the pain of stretching

Made us cry

Tears brushed away with our own hands

On to bodices and vests

There was no warmth here

The quietness of endurance

We share, fades, spills

On the floor and disappears

It was a place to stretch the curve

And crookedness out of us

We were told to lie

Flat on the yellow wood floor

To flatten and straighten

 

Those who were unable

Had braces fixed

To their backs

 

Braces fixed to backs

To straighten

Crooked birds

 

And so it went on

Year after year

Straightening crooked birds

 

The walk home was best

A wagon wheel or malt-teasers

A treat for a crooked bird’s braveness

 

We crooked birds observe

The world at a different angle

We learn to think

Out of the box

Straightened people

Try to fix us in

It is like a fixation straight people have

To make everything the same

And if you don’t fit

You’re just not the same

A reject?

But crooked birds have a different habit

Of turning the world upside down

Looking from a different direction

Giving something more to life

To a world that’s become monochrome

In its drabness

So let’s go on breaking down the walls of boxes.

 

 

RAC

 

 

 

 

Wound up

Wound up

 

Two boys standing side by side

 

Framed sepia

 

Unchanged

 

A sunlit room and the tablecloths sheen

 

A deep green valour

 

They’d dug a level into the slagheaps side

 

Spoil slipped and filled the tunnel

 

Two boys died

 

A third survived

 

A blind sister

 

And a mother listen each day

 

To the sound of a clock unwinding

Living in complicated times.

It was in this place, those days, those years

When rivers ran black as night in days

A night sky lit red by coke ovens doors

And green fields drowned in the spoil

It was in this place hunger and poverty

Stamped, slammed feet on the ground.

Children starved, slept empty mouthed

Soup kitchens feed families the hungry

This place where malnutrition and disease

Looked in at every door every open window

And men marched to great cities to plead

To beg for assistance in a time of great need.

Men marched the length, breadth of the land

But were met by the cold eyes of indifference

She told the stories of those days those years

And when it was her time to pack and leave

She was small, just fourteen years of age

She was a small child travelling as a stranger

In those long days of the great depression

Think of a child travelling from a valley

To live in a great bankers Chelsea mansion

She spoke of survival, the cruel vicious lips

The vindictive unsmiling eyed housekeeper

Just because she didn’t speak a word of Welsh.

She worked as a maid for a florin a few pennies

To send back home to her family in the valley

To support her parents, her brothers, her sisters

And she was like so many valley children

It’s that indifference to others suffering

That gives the lie to excuses of ignorance.

When the cruelty became too much to bare

She left to work in a Rabbi’s home

As a young nanny to the children

She recalled the words of kindness

The different foods and the music

Sophie Tucker’s My Yiddishe Mama

We would laugh when she danced

A mischievous smile, those dark brown eyes

The slow easy dance movements

Memories of happy days remembered.

And she would recount listening

To the stories of families from Germany

Who’d escaped and told their stories

Of the treachery,  the butchery of Crystal Nacht

Of the barbarity and disappearances

And the wearing of yellow star badges

Our country pretended it knew nothing

When people were fleeing for their lives

It’s that indifference to others suffering

That gives the lie to excuses of ignorance.

And so the war came as it was bound to

And my mother packed her belongings

Her furniture into an old Pickford’s van

To make her way back to the valley

To bring up her child while her man

Was recalled to serve, to do his soldiers duty

Over five long years fighting in others lands.

She stood with a red cross box on the square

And at night worked in the arsenal soldering

The fuses on bombs while the blitz flames

Lit the skies over Bristol, Cardiff and Swansea

One day she was called her man was returning

The village decked out with ribbons and bunting

But he was not the man he was before the war

His temper a short fuse and his hands heavy

And so he found himself again in the silence

The solace of growing in a high walled garden

He never spoke of the war, never those medals

They were kept in the black box under his bed

Along with everything else that came before.

White Sheets

DSC_7682

Each sheet rises in sequence to reveal the pathway.

To reveal you. Standing there.

You. Watching me.

In silence.

And the sheets hide you again as they fall

to hang without movement.

And then begin to unfurl and rise

as yet another gust pushes the white cotton out

and you are once again exposed.

You are standing watching me with that serious look.

Your eyes expressionless.

Studying me. And once more the whiteness

falls to cover where you are standing.

There is no movement now.

Just the brilliant whiteness falling on you like a curtain.

 

(Excerpt form the long poem “White Sheets”)

RAC.