Fundraiser for the Children of Gaza. VoicesontheBridge – Saturday 21st June 2025 6.30pm. … @StoryvilleBooks, Mill Street Quarter, Pontypridd. An Evening of Poetry and Music To Support the Children of Gaza!

Voices on the Bridge is organised and presented by Rob Cullen – Reading and performing will be Sabrin Hasbun, Patrick Jones, Abeer Ameer, Mike Jenkins, Rob Cullen, Tracey Rhys, Greg Cullen, Ben Wildsmith , Fiona Cullen, and Leanne Evans.

VoicesontheBridge is an evening of poetry, spoken word and song. This event is stacked with great poets & speakers book early to ensure your place!

Elizabeth Heath of RCT Palestine Solidarity Campaign will be speaking about the upcoming Palestinian youth visit to RCT and they will have a stall with info leaflets.

Tickets are £10 online – £12 on the door. Tickets can be bought online with Storyvillebooks.

We hope you can join us and support the urgent need of the children of Gaza.

This is not a fundraiser for Hamas.

This is an event to provide funds to support the Children of Gaza.

All monies raised will be donated to UNICEF.

This is a formidable group of poets, writers, artists – Don’t miss it – Book Early.

This event is part of The Pontypridd Great Big Community as Super Power Day.

VoicesontheBridge Fundraiser for the Children of Gaza 6.30pm Saturday 21st June 2025 @StoryvilleBooks, Mill Street Quarter, Pontypridd.

Mike Jenkins is Co-editor of ‘Red Poets’ magazine for 32 years , Mike Jenkins has been involved in the Palestinian solidarity movement for decades.
His pamphlet ‘For Gaza’ ( Red Poets) raised nearly £500 for MAP.
Mike’s latest book is ‘Shared Origins ‘ ( Seventh Quarry), a collaboration with poets David Lloyd and David Annwn.
Forthcoming anthology ( as editor) is ‘We not me/ Ni nid fi’ (Culture Matters), radical poetry from Cymru.

Organised and presented by Rob Cullen of VoicesontheBridge. Reading and performing with Mike Jenkins will be Sabrin Hasbun, Abeer Ameer, Patrick Jones, Rob Cullen, Leanne Evans, Des Mannay, Tracey Rhys, Fiona Cullen, Ben Wildsmith and Greg Cullen.

An evening of poetry, spoken word and song.

A member of RCT Palestine Solidarity Campaign will be speaking about the upcoming Palestinian youth visit to RCT and they will have a stall with info leaflets.

Menna Elfyn couldn’t be with us but has generously donated 20 copies of – Y Bachgen a’r Wal – The Boy and the Wall made by the young people at Lajee Centre near the city of Bethlehem.

Three local artists have donated paintings to be autioned on the night Barabara Castle, Jenna Cullen and Gerhard Kress and the sale will be donated to the fundraiser.

There will also be food and music.

This event is part of The Pontypridd Great Big Community as Super Power Day.

The event could not take place without the support of the wonderful @StoryvilleBooks. Big thanks to Jeff!

Watch out for further posts with more information about the evening.

We hope you can join us and support the children of Gaza.

Tickets are £10.

Clearances

RobCullen@Celfypridd.co.uk

Clearance.

I see my people’s names

in all the places I search

but I do not see them.

I read my people’s names

on the dry page of the folded map

but the land before me is empty.

I watch the landscape

identifying the marks

that my people have named

but the sound of their voices

is no longer heard.

There is a quietness

no echoing of names called

no trail of our footprints

only the trail of names

in a land that calls itself

by a strangers name.

A land echoing in its emptiness.

The mountains are still with us

but we are nowhere seen.

At Kinlochmoidart 1993.

“And we will present our eyes to the world.

Is it pretentions to believe that we are equal?

Is it asking too much that we want to live?

(From Deliverance: Alan Stivell)

Clearances from “Uncertain Times” Collection of poetry & photographs Rob Cullen published 2017.

Thinking of the people of Gaza & all dispossesed people.

And no person of a Celtic background should support a clearance of people from their lands.

Poem for lovers day – The first place in ‘75

fotocreditrobcullen

It was the first place we lived together

that white walled top floor flat

in an old Brighton town house.

It was a war zone of cold rooms and drafts.

we’d push newspapers rolled up and folded

into the cracks and gaps to block the blast

from the windows sash when the wind blew in

over the whipped-up roiling crazy white sea

gales that rattled windows and frames and doors.

From our bed on early December mornings

we’d watch a tower crane overhang the Kemptown

road with a Christmas tree sitting on its jib.

Those were mornings of clear skies

after the waves of the gale had receded

the gas fire’s flames flickering low, a mix of yellow and blue,

you played that scratched Baden Powell vinyl record

and the strains of the Samba Triste

filled the wooden floored rooms above Belvedere Road.

In the day we walked the sea front watching crashing waves

stir the shingle while fishermen hauled the keel boats

up through the pounding shore below the kids rides.

our love was fiery then.

….

©robcullen18012020

The Decree of Ne Temerre

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“Under the stone eyes of Mary*”. foto©robcullen110321

“The Decree of Ne Temerre.*”

Rob CullenMar 12 · 2 min read

There is a photograph taken at People’s Park,

my mother, father and sister,

standing in front of the open gates,

I am a child in my mother’s arms.

An uncle had died of TB,

a particularly virulent strain,

his brother he’d infected was in Dublin,

in a TB ward never to return.

His brother had come home,

when the war was done,

his lungs carried the strain,

one brother infected by his brother.

There was no freedom here,

a grandmother of one faith,

married to a grandfather,

of the state recognised religion.

But the freedom was of love,

the way they joshed and laughed,

cocking a snook at cruelties conventions,

in dangerous times for either.

Their love persevered,

in spite of the disconnection,

families estranged, rejection,

and so a lesson was learned.

The love of a church to murder children,

with its smiles, those killing smiles,

the freedom of a church to traffic children,

with closed eyes and the endless miles of lies,

the love of a church to brutalise,

young, single mothers, with nowhere to turn.

The freedom of a church to hide,

its crimes and the deaths of small children.

And in their black clothed piety,

set themselves above all others,

absolve themselves of guilt,

set themselves above Christs teachings.

There was no freedom here,

we watched with open eyes.

©robcullen110321

Image for post
“Under the stone eyes of Mary*”. foto©robcullen110321
  • Enunciated in 1907, Ne Temere requires that all children of a mixed marriage be brought up as Catholics. Before 1907 the tradition was that the boys in such a marriage would be brought up in the father’s faith and the girls in that of their mother.
  • Ne Temerre resulted in couples of both faiths being rejected by their families, particularly farming families, where the oldest boys who married a catholic would result in the Catholic children of that family inheriting the land. But the impact of Ne Temerre had much, much wider repercussions than this and its a subject that requires greater study. I would recommend “Different and the same” by Deirdre Nuttall.
  • Ne Temerre to all intents and purposes was a cleansing of Protestants from the Republic of Ireland.
  • “Under the stone eyes of Mary” is the title of a novel I am currently editing.
  • Being second generation Irish was confusing on many levels, returning “Home” raised further confusions.
  • Having a Catholic grandfather excluded by his farming family, and a Protestant grandmother excluded by her family provided a minefield when returning “Home”.

©robcullen110321Resistance Poetry

Verse as Commentary

WRITTEN BY

Rob Cullen

Rob Cullen artist, writer, poet. Rob runs “Voices on the Bridge” a poetry initiative in Wales. Walks hills and mountains daily with a sheep dog at his side.

In a time of contagion

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foto©robcullen012016

You cannot call my name.

We will remember for all time the summer of this year

when last Spring, woodlands and forests had a quietness

almost an expectation

as if the trees knew and were waiting.

I would not describe it as tenseness,

the quiet wasn’t peaceful either.

It was what I would describe as resignation

if I were to attach it to a humans form.

After the heavy rains of winter,

people described them as exceptional,

rains the like of which no one could remember.

No one had seen such rain who was still living.

Out on the openness of the mountains plateau.

It was different.

On the hill above the village,

water took the shape of fear.

Carried on the edge of the wind,

its swiftness gave no cause for concern,

gave no cause for the alarm to be raised,

or bells to be rung on the church belfries and spires.

The smell of death spread thinner than wisps

of smoke, through hard weather whitened grassland,

barely visible,

beyond the horizon, its source unseen, at first,

but what did that matter in any case,

it was what it did when it arrived,

for all to see,

that was what mattered.

Death came anyway.

It used a cipher to hide behind, another’s form,

another’s name, to confuse, to distract.

Tell me your name. It is useless to ask.

I have no name

I am nameless

I am as old as time.

©robcullen31122020

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“The hill of sorrow.” foto©robcullen31122020

Death comes easily. It is always there — always near, always close by waiting. In March 2020, I suffered heart failure and came close to death. I didn’t survive because of luck — although I was lucky. I lived because of the professionalism of medical staff in our local hospital’s Accident & Emergency Unit. I was discharged five days later after two operations and a defibrillator pacemaker. That wasn’t luck. I know that if I lived in another country without a National Health Service I would be dead — death would have had its way.

I listen to the news casts each day, hear the latest covid stats — the number of new cases and the number of dead. Occasionally I see photos of crowds of people celebrating, ignoring the risks and the consequences, and the following week the spike in the stats that follows as sure as night follows day. I muse on whether people place so little value on their lives that they are willing to place themselves at such great risk. It suggests to me a mass Russian roulette.

I avoid crowds or social events in which there will be a large gathering. I am an artist, writer, poet who enjoys my own company and isolation doesn’t weigh heavily on me. More importantly it gives me time. Time to write, time to read, time to play with pen and wash. And there is so much to see, feel, smell and breathe in. Every walk offers a richness of opportunity. I do not live in a town or a city but on the outskirts of a town in wooded countryside. On the last day of the year 2021 I think I am lucky.

©robcullen31122020

WRITTEN BY

Rob Cullen

Rob Cullen artist, writer, poet. Rob runs “Voices on the Bridge” a poetry initiative in Wales. Walks hills and mountains daily with a sheep dog at his side.

Resistance Poetry

Resistance Poetry

Verse as Commentary