it is a longer way, mostly uphill then, down. we go round one way one day, then another way, another day, avoiding people. mainly, yet we talk to the stone mason who likes to a…
Source: #walk 6
it is a longer way, mostly uphill then, down. we go round one way one day, then another way, another day, avoiding people. mainly, yet we talk to the stone mason who likes to a…
Source: #walk 6
“For those who suffer from it, the compulsion to write is a mystery. Doing it is a misery, but not doing it is much worse.” Peter Lewis born 21/2/1928 died 1/03/2016.

The wrong end of a telescope.
When the lie was told
and the fracture set
people I thought close
weren’t there, weren’t near.
When the lie was set
and dishonour bound
the house phone
stopped ringing, ringing loud.
The door-bell left
Untouched too,
no emails or messages,
sought my domain.
When the lie was set
no friends to be found
and no voices raised
to shout the lie down.
So the world snapped
into its own disgrace.
Where were the people
I thought were near?
Where were the people
I thought so close.
The silent friends
not knowing what to say.
But that’s the problem
when nothing seems real
and you look at the world
from the end of a telescope.
The Cardigan Road Late Afternoon.
A skein of geese crossing
high above the road,
Grey clouds on a cold day
and starlings, a bursting cloud
Over rain sodden fields,
and the road unfolds
Like the days of the year,
the hope and the yearning.
And change comes to meet us,
the story still to be told.
The cruelty of lies.
Why do they always say it?
I really wish they didn’t.
We must meet and do this again
is how the repeated saying goes.
And then I never see them again.
Why do they want to meet me?
Is this about some vicarious pleasure?
Like rubber necking a disaster.
A car crash is that my latest persona?
Just some form of wreckage .
To be swept away like any other kind
of useless write off – pissed right off?
I watched when you saw me
in the window as I turned
aware in that way that you do
when you sense that someone
is watching you but saying nothing.
Then you turned to look away
and that has stayed with me.
Love song to Sarajevo.
A love song should be sung with joy not shame
Yes a love song should be sung with joy
But it is with shame that I write
A love song to Sarajevo.
I hear of the deaths and the blood spilled
And the killing goes on and on and on
And it is with shame that I write
A love song to Garasda.
I heard a Muslim child cry
Rescued but leaving her mother behind
And it is with shame that I write
A love song to Mostar.
I heard from the quietness of our radio
A man cry for his Serb sister, lost and unheard
And it is with shame that I write
A love song to Belgrade.
A Serb speaks of his anger that the world
Has simply turned away and no longer listens
And it is with shame that I write
A love song to Tuzla.
A doctor speaks of the death of the wounded
A hospital bombed and riddled by sniper fire
And it is with shame that I write
A love song to the people.
Love songs should be sung with joy
But my heart is filled with pain.
Crows
It is an un-contestable truth
that crows are the greatest artists
of this whole wide world
creating art from nothing
But I acknowledge
that this assertion
may be arguable
to some I presume.
But what do they know?
From early dawn
unseen by the waking world
crows create sculptures
and ready-mades
from all they find.
Corvids invented
conceptualism
before humans
claimed it their own.
Jackdaws and Jays
with their cool
grey blue eyes
masters of this work
re-arrange leaves
effortlessly, so easily
into intricate patterns
of choice and design
In which Rooks
judging with their beaks
exercise an exquisite
taste for blunt humour
Ravens however remain
aloof in their rule
completing aerial feats
loop the loops and
arabesques in displays
of deep disdain.
Without corvids design
the constant effort to re-arrange
it would look as if
nothing had changed.
That old fiend Duchamp
would have appreciated
the crows efforts to lay
everything bare
if he himself had not
lost his wit
from endlessly
taking the piss.
Poe would of course
laugh rapturously
from the shallow
darkness of his pit.

Yielding
Yielding to the push of my fingertips
The door opens swinging easily.
In the mirror at the end of the hall
A black silhouette gold edged
A moon eyed trout.
Caught. Mesmorised.
By the blinding gleam
Of the poachers torch.
And in the same beam.
Entrapped and transfixed
in the cold white
Electric glare. A fluttering moth.
I stand there. Staring.
My own reflection before me.
I look myself up and down
From one side to the other.
From one hand to the other.
Workmen’s hands.
Shit, shit on this earth
Why do I have hands like those?
Those pathetic absurdities
Hanging limp and loose
Looking as though they’ve been stuck on
The ends of those stick thin brown wrists.
Thick fingered flesh.
Waiting to be used.
Something to be done with them.
Touched and turned over in them.
A rough edged stone perhaps
Warily feeling for smooth
Surfaces fingered, stroked and pressed.
Every morning I step off the train
I make my way through
The green drab coats of men
Their hands dangling
In the morning air
Limp-pink, washed and cleaned.
Forgotten, flapping.
And down there on the black beach
Down past the turmoil
Of smoke and steel
And the cauldrons of molten slag
A dead sea gulls wing
Half buried, left on the shore
After the high waves
Had at last receded.
Made to flap by the wind.
Grotesque as everything is there
As though it were imitating
Its’ own once beautiful flight
And deaths mockery all that is left
To remind of its once graceful past.
Silently men merge into lines
Following one another
Through the murky dawn
The sky not light with sun
Cars slowly move and churn
The dust on the road.
Brown dust that rises and falls
Continuously. Unnoticed.
Staining the rooves
Of the houses near
The looming hulk
Of the steel works.
And as cars speed out
Along the road
The dust swirls
Up into the air
And is turned
Into a thick brown cloud.
Each morning
As I make my way
To the steel works
It’s the same.
Head down. Eyes staring.
Old eyes staring now and then
At young faces that pass by
The night shift on its way home.
And from beneath the brim
Of cloth caps unseeing eyes
See everything.
The door swings shut behind me.
All is dark again.
Mindfulness
In the house warming
Klaus spoke about
his experience of moving
to the run down valley
a former mining town
where he now resides.
He recalled the first visit
to a doctor and noted
as he sat down the doctor
barely glanced his way
seemingly unable to take
his eyes from the computer
dominating his desk.
Klaus spoke politely
in his soft German accent
making no effort to hide
the wryness of his smile.
“When you have a moment
I will tell you the reason
I am sitting here.
It may be of interest to you.”
A day later I paid a visit
to a doctor too
it was an emergency
I’d thought I was lucky
to be given an appointment
so quickly on the same day
The young locum
sat down and started
to conduct a conversation
while fiddling with the printer
he opened the paper drawer
slamming it again and again
At some point I stopped
speaking he didn’t seem
to notice this at all
he apologised but now
his back was turned
away from me.
He phoned admin
and another person
entered the room
and I watched as the two
conducted an animated
discussion on matters
of computer technology,
and which of the doctors
had left the printer jammed.
I sat quietly listening,
it was pleasant enough
I suppose sitting there
listening to the discussion
and for the moment
I’d forgotten the pain.
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