Enunciated in 1907, Ne Temere requires that all children of a mixed marriage be brought up as Catholics. Before 1907 the tradition was that the boys in such a marriage would be brought up in the father’s faith and the girls in that of their mother.
Ne Temerre resulted in couples of both faiths being rejected by their families, particularly farming families, where the oldest boys who married a catholic would result in the Catholic children of that family inheriting the land. But the impact of Ne Temerre had much, much wider repercussions than this and its a subject that requires greater study. I would recommend “Different and the same” by Deirdre Nuttall.
Ne Temerre to all intents and purposes was a cleansing of Protestants from the Republic of Ireland.
“Under the stone eyes of Mary” is the title of a novel I am currently editing.
Being second generation Irish was confusing on many levels, returning “Home” raised further confusions.
Having a Catholic grandfather excluded by his farming family, and a Protestant grandmother excluded by her family provided a minefield when returning “Home”.
Rob Cullen artist, writer, poet. Rob runs “Voices on the Bridge” a poetry initiative in Wales. Walks hills and mountains daily with a sheep dog at his side.
There is talk now, and possibly a growing awareness of the impact of lock downs on children’s mental health and the wider population as a whole. Covid has brought about huge changes involving social isolation. But also brought about by a population fixatedly watching social media for some form of social interaction.
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The risk of depression from dependence on social media was noted as a significant phenomena prior to covid. The onset of the social shutdown seems to have enhanced the impact of a reliance on artificial communication rather than “solid state” communication, skin on skin contact, touching and the reassurance that closeness with our own kind brings. In Wales there is a word “cwtch” which is that cradling in the arm of a baby in her mothers shawl, the comforting taking in of kith and kin at times of trauma. We yearn for that comforting touch, for the reassurance and soothing it brings at a time of need.
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“Cwtch” is also that place under the stairs of a small house; a place of shelter when the bombs fell; a place to hide in those winter games when the weather outside was so bad, the incessant rain, children avoided going out: a place to store objects and things that would be useful later, you didn’t know what for, but they would, without doubt be useful one day, maybe.
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“Cwtch” the feel of your mothers arms holding you tight, and sending that message- it’ll be alright.
Rob Cullen artist, writer, poet. Rob runs “Voices on the Bridge” a poetry initiative in Wales. Walks hills and mountains daily with a sheep dog at his side.
In February 2019 two days and nights of heavy rain brought a flood that swept through Pontypridd’s celebrated War Memorial Park. Swept away a storage container that builders were using and damaged the Park bridge. That bridge is not the bridge in the foto’s above…that bridge is the bridge I ran out of the tin shed Cinema and crossed into the Park to disappear and keep on running. From what I do not know.
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It’s funny because for most of my adult life I think of myself as running towards the fire like a fireman, or a policeman. I spent so much of my working life working with the most dangerous, the most damaged, the most…I ran towards…what?…Or was I running away from running away?
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In the valley — South Wales is a land of valleys — there are always rivers, flood rivers, and when I was a child the rivers ran black. Black from the coal washed in the mines into the rivers. Black as the coal dust in the miners lungs. The rivers run clean today. Everybody says that-followed by remembrances of when the river was black. Except the river is not running clean. It’s filled with plastic thrown in, somewhere up stream, that’s swept down river every time it floods and the plastic and everything else that’s been thrown in litters the river beaches, and hangs from the beautiful trees that line the rivers banks.
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The river is the living embodiment of the hypocrisy of the generations who love David Attenborough, Greta Schonberg and all the other people trying to save the planet. But the river cries out in the way that only a river can —
Rob Cullen artist, writer, poet. Rob runs “Voices on the Bridge” a poetry initiative in Wales. Walks hills and mountains daily with a sheep dog at his side.
unable to credit foto of the open market Pontypridd.unable to credit foto of the open market Pontypridd.
Pontypridd Town is a meeting place — it is also the place which all the characters in the poem are elderly residents, the place they grew up in, had fun, worked raised families and lived long lives.
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The town is a meeting place, a meeting of three rivers and valleys where a large indoor market and open market have been established. The town is a bustling, busy, thriving, place of skullduggery and sharp deals; once a boom town, now a town that has seen hard times and looks a little down at heel. It could do with a little luck — my cheery elderly friends have seen it all — the ups and downs, a depression, a war — and came through it all with a cheerfulness that brings a smile when I think of them.
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with thanks to Rhondda Cynon Taf library archives.
Pontypridd is a place of Easter and Summer Fairs — Danter’s Fairs that plied all the valley towns. Fairs that are the remnants of the old festivals to mark the solstice and the Christian calendar — the older context lost in the newer religious puritan revival’s disdain for such activities and as a result we have lost so much. Loss again…
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My friends talked a lot about Danter’s fairs, a meeting place for the young. The Fair still comes to Pontypridd, rides that reflect the horror liked by this generation bread and buttered on online gothic terror. It’s a young persons pleasure. But it always was.
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Covid has heightened not just the deaths of the elderly, but the loss of knowledge and memories of their lives and experiences. Memories that are unrecorded. We are unable to hand them on.
When the Cadman’s arrived in Northern Ireland in the early 1960’s, the Roman Catholic population did not have political representation. They had the vote but the choice on offer to them was Protestant Unionist parties. The UK Labour Party was not allowed to set up its stall in Northern Ireland and Unionism was all powerful in the six counties. Roman Catholics were exposed to a hate environment extolled by Unionists. Housing conditions were poor, unemployment rife as was poor health.
Keith and his friend John Hume set up the SDLP along with other quiet men and women. They saw that political representation would lead to full emancipation for the Catholic population — Keith Cadman was one of those quiet men who worked behind the scenes, but whose quiet work in the end moved mountains. It should be remembered.
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Without the SDLP and John Hume the Northern Ireland Peace Agreement wouldn’t have taken place.
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We have a reason to be proud of quiet men.
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We have a reason to be proud of the women who stood at their backs through it all.
Rob Cullen artist, writer, poet. Rob runs “Voices on the Bridge” a poetry initiative in Wales. Walks hills and mountains daily with a sheep dog at his side.
Rob Cullen artist, writer, poet. Rob runs “Voices on the Bridge” a poetry initiative in Wales. Walks hills and mountains daily with a sheep dog at his side.
*Pen y fan is the highest mountain in South Wales.
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In February 2020 a storm hit South Wales. A month’s amount of rain fell in two days. Pontypridd town was flooded, and so many homes and shops were devastated by the floodwater. Three Bridges were closed — thankfully not the Victoria Bridge, which carries one of the main road arteries connecting the town to the motorway network. Shops have moved to vacant premises which are above the flood zone. It’s a slow process. And even now many retail premises are closed, and the town has the feel of a place that is going through hard times and an unstoppable decline.
Homeowners who suffered the worst of the flooding were those whose homes had been built along the sides of the river, but sometime back had been flood-proofed and thought safe. Such was the scale of the flooding on this occasion, no flood-proofing stood a chance of holding the floodwaters back. It was a warning that, with climate change and the ominous reality that flooding on this scale in these narrow spate river valleys will become regular events, we had better be prepared and change so much of what we do.
Mountains stripped of trees by clear-felling so that the ability of the mountains to “hold” water and slow its movement to the river are seriously impeded; together with farm land left bear over winter so that there is a continuous erosion of soil and, again, no holding back of rain water. And everywhere the concretisation of large areas so that water just runs off even more swiftly into a river already gorged with flood.
The town is steadily pulling itself back together. I’m constantly amazed by the resilience folk are showing in the face of what has been two devastating blows, the flood and Covid19. But the struggle to survive the hardship life throws is at the heart of valleys people.
But like Covid19, the floods and extreme weather events, such as the floods of February 2020, have been a warningthat lifestyles and industry have to change. Its dismaying to hear of the call for a return to the old days, when the economy will get back to “normal” and the destruction of Earth continues. The announcements of the release of the vaccines has been accompanied by a call to return to normality. But what on earth does that normality mean? And at what price?
The floods that besieged Pontypridd, a small town in Wales have also been replicated all over the world. A flag is being waved. Sit up and take note.
And we wait for February’s rain whatever that will bring!
Rob Cullen artist, writer, poet. Rob runs “Voices on the Bridge” a poetry initiative in Wales. Walks hills and mountains daily with a sheep dog at his side.
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